This photo cracks me up:
It’s from this NY Times book review:
In “A Great Idea at the Time,” Alex Beam presents Hutchins and Adler as a double act: Hutchins the tall, suave one with a gift for leadership; Adler “a troll next to the godlike Hutchins,” with a talent for putting students to sleep. Making the acquaintance of Hutchins through his works was, to Beam, “like falling in love.” By contrast, “to be reading Mortimer Adler’s two autobiographies and watching his endless, self-promotional television appearances was a nightmare from which I am still struggling to awake.” As an appendix to the Great Books, Adler insisted on compiling a two-volume index of essential ideas, the easily misspelled Syntopicon. A photograph in “A Great Idea at the Time” shows Adler surrounded by filing-cabinet drawers, each packed with index cards pertaining to a separate “idea”: Aristocracy, Chance, Cause, Form, Induction, Language, Life and so on. The cards registered the expression of those ideas — Adler arrived at the figure of 102 — in the Great Books of the Western World.
Ah, the Great Books and the Great Ideas. I like the Great Books myself, some of them anyway, and have a residual respect for freshmen core curricula (I did a program of that sort myself), but the photo could not be more perfect as a representation of self-satisfied mid-20th-century academic pomposity.
The review also cites Joseph Epstein as commenting that Adler “did not suffer subtlety gladly.”
I just saw an interesting presentation on Digital Humanities and text tagging, and Adler’s cards struck me as a early manifestation of a similar urge; you have to figure this guy would’ve killed to be able to create a searchable/mappable online database of the 102 Great Ideas.
Here’s a funny clip from a t.v. interview with Adler explaining how he can read 10 books in one day — if by “read,” you mean “inspect them” and “put them on [your] bookshelf for future reference”: