Recent Publications

The Last Rock Star?” Public Books, February 15, 2017.

Angry Skin.” The Point, February 10, 2017.

Election-Day Jitters: a Playlist.” Public Books, Nov 8, 2016.

Ivan Kreilkamp on Creating a Twitter Voice.” (by Kate Nesbit.) October 25, 2016; also see David Gooblar, “Tweeting Dangerously,” November 7, 2016, and Jennifer Janechek, “Twitter and the Academy: Reflections of a Job Candidate on Her Use of Social Media,” Nov. 13, 2016, all prompted by or about my visit to the University of Iowa as part of their Next Generation Humanities PhD program, Writing Across Careers.

Clever Man Outs Female Author: a Drama in 3 Acts.” Public Books, October 11, 2016. [Included in LitHub Daily, Oct 12, 2016, and LitHub Best of the Week, Oct 11-14, 2016.]

In Praise of Pulp.” Public Books, September 15, 2016.

The Female Bachelor,” The Point, June 23, 2016. [Included in LitHub Daily, June 24, 2016, and LitHub Best of the Week, June 20-24.]

The Invisible Leash,” Avidly (the Los Angeles Review of Books). April 27, 2016. Included in’s “We Laughed, We Cried, We Felt: the Posts We Loved in 2016.”

Prince’s Erotic Democracy.” Public Books, April 25, 2016.

The Female Body of Punk.”Public Books, December 15, 2015. [Included in The Atlantic‘s “The Week in Pop-Culture Writing,” Dec. 19, 2015.] Also see the accompanying “Quiz: Can You Match the Punk Memoirist to the Lyric?

Wolves at the Door?” Public Books, Dec 1, 2015.

When Dickens is a Distraction.” The Chronicle of Higher Education Review, Oct. 15, 2015.

About Elly, About Jane.” Senses of Cinema, issue 76, September 2015.

The 1850s.” A Companion to the English Novel (Blackwell Companions to Literature and Culture), Eds Stephen Arata, Madigan Haley, J. Paul Hunter, and Jennifer Wicke. July 2015. pp. 34-48.

How to Tell if You Are a Mitford Sister.” The Toast, July 7, 2015.

Pistols at Dawn.” (Review of John Leigh’s Touché: The Duel in Literature.) Los Angeles Review of Books, June 28, 2015.

Review of Helen Cowie, Exhibiting Animals in Nineteenth-Century Britain: Empathy, Education, EntertainmentAmerican Historical Review (2015) 120 (3), June 2015: 1113-1114.

“Powers of Three: On the Tricolonic Title.” The Millions. May 18, 2015.

Can Fiction Show Us How Animals Think?” The New Yorker, Page-Turner, April 21, 2015.

Songs on the Car RadioTwo Days, One Night, Two Songs.”  Avidly (the Los Angeles Review of Books). April 7, 2015.

In a Weird Way: a Brief History.”  The Millions. March 12, 2015.

Creativity under Capitalism: the Pop Music Critic as Public Intellectual.” Los Angeles Review of Books, March 3, 2015.

The Cruel Exclusions of the Literary Establishment.” The Chronicle of Higher Education Review, Dec. 29, 2014.

Behind the Dungeon Master’s Screen,” Public Books, Dec 1, 2014.

Prospective Literary Fitness Apps,” The Chronicle of Higher Education Review, Nov. 21, 2014.

Against Against [X].” The New Yorker, Page-Turner, August 27, 2014.  [Selected by Arts and Letters Daily, from 936 pieces, as one of their “top ten reads” of 2014.]

Maximal Anxiety.” On Roz Chast’s Can’t We Talk about Something More Pleasant? : A Memoir. Los Angeles Review of Books, June 27, 2014.

Harmony and Discord.” (On novels by Stacey D’Erasmo, Michael Cunningham, and Richard Powers.)  Public Books. June 15, 2014.

Letter to the NY Times Book Review. June 27, 2014.

Without Parents or Pedigree: Neo-Victorian Adaptation as Disavowal or Critique.” Romanticism and Victorianism on the Net (63). April, 2014.

The Not-So-Comic Art of Chris Ware.” The Ryder, November 2013.

“A Rage That Had No End: the Novels of Elena Ferrante.”  Los Angeles Review of Books, August 27, 2013.

Characters of Concealment.” On William Gass’s Middle CPublic Books.  August, 2013.

Churches of Vinyl: Archive and Authenticity in the Pop Music Novel.”  Public Books.  December, 2012.

The Ass Got a Verdict: Martin’s Act and the Founding of the Society for the Prevention of Cruelty to Animals, 1822.” BRANCH: Britain, Representation and Nineteenth-Century History. 2012.

Here is my faculty page at Indiana University.

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